A Map of a Woman’s Heart – Nineteenth-Century Ideas about Womanhood

This illuminating vintage illustration was created between 1833–1842 – reportedly by “A Lady” – and tells us much about what the artist and his society believed about women.

The map is titled “The Open Country of Woman’s Heart, Exhibiting its internal communications, and the facilities and dangers to Travellers therein” and is part of the exhibit “Beauty, Virtue and Vice: Images of Women in Nineteenth-Century American Prints“.

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According to this map, Love is at the center of a woman’s heart, and Sentimentality and Sentiment (including Good Sense, Discrimination, Hope, Enthusiasm, and Platonic Affection) take up a sizeable portion of the entire territory. This region of Sentiment and Sentimentality is separated from the larger, treacherous areas of a woman’s heart: Selfishness and Coquetry pose dangers, especially to gentleman travelers, and these attributes suggest that all women are basically untrustworthy. The largest regions, Love of Admiration, Love of Dress, and Love of Display, all suggest that women are also essentially shallow and frivolous

You can get more background information about this illustration and age at the exhibit’s website.

Also check out this nice collection of similar illustrations that are “Mapping the Human Condition“.

Via Brain Pickings 

Street Photography from Singapore by Danny Santos II

Watch this fantastic street photography from Singapore by Danny Santos II. Being a  graphic designer by trade, he’s been shooting strangers in Orchard Road on his weekends since 2008.

Here are a few of my favorite shots from different series:

Portraits of Strangers (“taken with permission, close up headshots of beautiful strangers in Orchard Road”)

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If you are a photographer yourself, be sure to check out Danny’s blog, where he shares his experiences and valuable tips.

Bond on Set Series by Greg Williams

Outstanding behind the scenes and on set photography of the last three James Bond movies (Die Another Day, Casino Royal & Quantum of Solace) by British photographer Greg Williams.

Greg describes his time on film Sets as the ultimate photographic education. He learnt his lighting technique from observing many of the worlds finest cinematographers at work and today lights nearly exclusively with film industry lighting as opposed to strobe. He also learnt about giving direction.

His visual record of the creation of the Bond movies was published in the “Bond on Set” books series.

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